The aim of the ANAT Winter School in 1995 was to provide knowledge and practical skills in the production of multimedia titles.
Managed by ANAT, Julian Stadon's mentorship was a part of the Australian Government’s Young & Emerging Artists Initiative supported by the Australia Council, its arts funding and advisory body. The mentorship provided an opportunity for an artist aged under 30 to explore new directions, expand technical skills and increase knowledge of...
In March 2008, GRL visited Adelaide to produce the week long ‘GRL Masterclass’, presented by Carclew Youth Arts in association with the Adelaide Bank Festival of Arts and ANAT.
During the first week of November 05 ANAT worked with Kurruru Indigenous Youth Performing Arts to present a one-week workshop program.
During 2004 ANAT worked closely with Adelaide City Council (ACC) on the development of the Luminosity project.
ANAT presented a series of 2 weekend workshops as part of the New Zealand Film Festival in August 2006.
Presented by ANAT, pixel.play was a youth digital media education program,which presented workshops that develop creative and digital literacy skills in which young artists make short screen works (animations/films /images) for their mobile phone.
The reSkin wearables research and development laboratory was presented as ANAT’s Emerging Technology Lab held from 14 January - 4 February 2007 at the Australian National University.
In February 2002, ANAT assisted with the Solar Circuit new media workshop and residency, Tasmania by supporting the travel of participant and curator Nina Czegledy. Nina is also the Chairperson of ISEA (International Society for the Electronic Arts) and while in Australia gave briefing sessions on ISEA 2002. Nina's tour...
ANAT’s still/open Emerging Technology Lab travelled across Australia in pursuit of open access to knowledge.
Sur><South is an ongoing media concept that is being facilitated and hopefully will be incubated by many Latin American, Australian and International new media artists.
As part of the Adelaide Fringe 2002, ANAT co-ordinated the Trickster Masterclass in Video Jamming. The Trickster Masterclass was a professional development opportunity for Australian VJ artists to network and receive feedback about their work from guest tutor, VJ IKO from Portugal (leading video artist and software developer who...
Addressing the need for the cultural production and consumption of new media and emerging artforms ANAT managed a month cultural exchange project, Virogenesis. The project was the curatorial initiative of Francesca da Rimini. This viral collision of four irreverent and erudite cultural practitioners from the United Kingdom and...
ANAT's International Masterclass for New Media Artists and Curators took place in Brisbane in May and early June 2000.
In 2005 ANAT partnered with the City of Melbourne’s Art House program and held the ANAT New Media Lab 2005 Create_Space at the newly refurbished Meat Market in North Melbourne.
ANAT's International Masterclass for New Media Artists and Curators took place in Brisbane in May and early June 2000.
ANAT presented a free workshop for artists working with the mobile platform as part of the Electrofringe Festival. The workshop was developed by EPIC intern Sasha Grbich and presented by Australian Media Artist Ian Andrews.
In 1999 ANAT worked very closely with NxT - Northern Territory Xposure, the Territory's first Multimedia Symposium on the development of their program.
ANAT's 1995 Summer School was staged at the Academy for the Arts, Queensland University of Technology.
ANAT's ninth summer school focused on Internet Design and Web Authoring and was held at the IMAGO Multimedia Centre/ Film and Television Institute Digital Arts Studio in Fremantle from 13 - 31 January 1998. The 15 artists selected to participate in the 1998 National Summer School were:
ANAT's International Masterclass for New Media Artists and Curators took place in Brisbane in May and early June 2000.
In early 2001, ANAT together with the Performance Space (Sydney) and PICA (Perth) submitted a tender to the New Media Arts Board to run the Time_Place_Space hybrid performance laboratory.