Artist Statement: During a month-long residency at The Library Artspace in Melbourne we came face-to-face with coal in a slow and meditative process of looking, listening and waiting to see what unfolded.
Documentation of Re_Squared a large scale, immersive, video performance by Cicada presented as part of the 2003 Primavera exhibition of the Sydney Museum of Contemporary Art (MCA) and the City of Sydneys Art and About public art festival. Visuals created and performed by Nick Ritar and Kirsten Bradley. Audio created and...
In a Few Seconds Across the Ocean refers to, and interrogates a number of references from 20th century art that might broadly be described as a "poetics of radio (and noise)" ranging from the Futurist poetry of Marinetti, Klebnikov to Karlheinz Stockhausen’s 1966 work Hymnen: anthems for electronic and concrete...
An installation summarising the unique body of aeronautical experiments engineered and conducted by Benjamin Blakeborough over the past 5 years. The work encompasses the devices; tip jet propulsion mechanism; kinaesthetic hover platform and the levitating Winged Self, into a singe unifying installation.
Intersecting both visual and media arts practices, Ian Haig interrogates alternate visions of the everyday, focusing on the visceral physicality of the human body. As playful as it is provoking, Haig’s practice embraces a wide range of media including site-specific installation, web delivery, animations, video, comics, drawings and interactive sculpture.
Portasonde was a moblie site specific 3d sound field unit and media platform designed and developed by Mark Brown, Alllan Giddy and Jamil Yamani in collaboration with dLux Media Arts.
installation incorporating video, 1983 Kaneko Art G1 Tokyo, (1983); Roslyn Oxley Gallery Sydney (1983); “Interface” University Gallery Adelaide (1984) Installation on which the tape Kiru Umi No Yoni is based.
Karen Casey’s Dream zone (2012) emerges from the artist’s fascination with the relationship between human consciousness and our experience of the world.
Global Mind Project: Spectacle of the Mind, Karen Casey, 2010
Video projection (240 x 600cm) exhibited in 'Uncontainable' ISEA 2011 Istanbul Developed from original artworks by Karen Casey, manipulated by the artist's brainwaves using custom designed EEG video effects software developed by Harry Sokol Audio design: Tim Cole with Karen Casey
As the recipients of the third annual Helen Macpherson Smith Commission, Sonia Leber and David Chesworth created a large scale sound and structure project for the cavernous main exhibition space at Australian Centre for Contemporary Art.
Through images, sound, text, fingerprints and DNA sequencing (from hair samples of the subjects) a series of abstract layers of identity will be woven together to create the fascia for the "identity chamber". The physical chamber, a tent-like construction, made from semi-transparent tensioned latex, can be entered and walked through...